Satori Blues (excerpt)
Cyril Wong
What we talk about when we talk about loss
are the catastrophes: walls collapsing
and the terrible flood. What we forget is what
we fail to detect: the line opening like an eye
from one end of a dam to another;
a startled look and the averted vision
at a wrong word at yet another wrong time.
Loss is an ever-growing thing. The same
is true of how we win. Everything
woven through with its own unmaking,
a storm brewing silently in an apple,
that shattered net of clouds. Cracks in walls
rocket to a big finish in the ceiling,
one arm going suddenly numb, the final
poem of a life left unfinished on the page.
Particles, elemental dust, magnetised to form
new planets and suns with or without
a creator. Seeds of illnesses make camps
along bloodstreams, preparing for that war
on health. Nothing to be considered within
diminished vistas of hope and reason. Nothing
reconsidered, how it flows into an embrace,
revivifying every word and gesture.
Who says we cannot compartmentalise
heartbreak, break it open and employ
its parts? Grief to inspire tragic songs.
Anger stored for potential storms.
What to do, then, with resignation—how
to use it and what is it good for?
Stars faint from lack, freefalling into
deep graves of themselves, from which
no light may lean away. The future
revealed like an afterlife, which we fight
to occupy and exit with equal
courage and delight. So what if justice
is unfair? Anger is a chair. Tears
are just for show. The tenderness of doubt.
Happiness without. Nothing prevents
nothing from passing through.
Nothing, after all, to try; nothing,
after all, to do. Listen to what I’ve said.
If the truth agitates, perfect! If not,
sing along—this number is for you.
Cyril Wong is a poet and fictionist in Singapore. Satori Blues, published by Softblow Press in 2011, is a response to writings by teachers of Buddhism and post-Buddhist philosophies. It is his only Zen-inspired poem to date.